The Write Word, Professional Writing Services
“The difference between the right word and the almost-right word is the difference between the lightning and the lightning bug.”
— Mark Twain
Tom Bentley, Professional Writing Services

Books and Kindles: Can’t Live With Them, Can’t Eat Them with Fava Beans and a Nice Chianti

Filed under: books,fiction writing,publishing,writing tools  Tom Bentley @ 12:31 pm
Image of Kindle with All Roads Are Circles onscreen

Yeah, thought I'd put my novel onscreen. Sneaky, eh?

Books, ugh, repellent things. The fluttering of pages, the implicit mockery of cold text, the muscle- and mind-straining weight of ideas. Better to corral all those meandering words and their unseemly punctuation into an electron pool, where you can sip from modest, reduced-page cups of their content, where you can make type sizes wiggle to your wishes, where you can search and highlight and transfer and connect and criss-cross and cannibalize and—whew! [Daubs fevered brow.]

Actually, I love books, those creaky old antiques. If you drop hardcover books on eggs, they make a satisfying squish. If you argue with their authors, you can fling them across the room with a cascade of curses and get a resounding “bang!” from the wall opposite. But the reason I’m even blithering about books is that before I left for a recent two-month stint in the Bahamas, I was given a first-generation Kindle, a discard from a fellow who now is proudly armed with an iPad.

The Salt Slime of the Ancient Reader
Taking a pile of books to the Bahamas was a no-no, mostly for weight issues. And because, having lived in the tropics before, I knew that all things material are subject to the insidious insistence from nature that solids return to goo. For instance, my host in the tropics had vast shelves of great books, which I eagerly scanned. But picking one (and another and another) to leaf through—ahhgggh! All covered with that strange salt-slime that adheres to anything that is stationary for a period in the humid climes. Most unpleasant.

Thus, I Kindleized my reading, and I admit to the pleasure of summoning up multiple books for chunky savoring in one reading session. All those good free Domino Project works, Poke the Box, Do the Work, Self-Reliance and more. And because I am a dweeb, Grammatically Correct and Portable MFA in Creative Writing (even more portable on a Kindle). And a mystery story collection. And my own novel, pictured so promotionally in the image above.

The Palm V—Looking Back Through Time’s Cracked Screen
But I’ve never been the Luddite sort regardless, railing about ereaders being the death of the printed word. Publishing is evolving in crazy, lurching ways, but I think it’s mostly to the good. I’ll frequent (and buy in) bookstores till the day I go blind, happy with the serendipity of the shelves, the sense of discovery and promise the stores afford, and the fine feelings I actually get from the fluttering of pages. But I wrote a newspaper piece, sometime around the Ice Age of 1999, about having jolly fun reading Mark Twain on an airplane with my Palm V. Petrol-based ink, soy ink or e-ink—it’s the ideas therein that make one think.

One disclaimer on this particular model of Kindle: Steve Jobs would have had the designer drawn and quartered. You can barely hold the damn thing without accidentally turning pages, backwards and forwards. Set it down at an angle, set it down on something soft, lift it to move it—your place is whisked to the next electronic edge. I know the newer models have corrected this egregious inelegance, but I can’t callously throw this thing against the wall like I might the printed Portable MFA.

One small coda: today, we renewed our subscription to the Sunday paper. I read a lot of news online (discounting whatever mind rot news-noodling provokes), but no matter the readily available onscreen/Kindle/iPad/ version of the paper, there’s still something about flipping through the physical sections of the newspaper, in bed with a second cup of Sunday coffee …

How to Edit Friends and Influence Punctuation—FREE!

Filed under: copyediting,copywriting,fiction writing,freelancing,publishing  Tom Bentley @ 10:16 am

A while back, I wrote The Write Word Easy Editing and Spiffy Style Guide,the charming creature just a bit below and off to your right in the sidebar. Thousands of energetic, elvish electrons rushed out to peddle my modestly priced guide, feverish in their quest to lop off dangling participles (dang them) and comma splices (much worse than comatose spices) and make the world safe for the semicolon.

But this being Christmas Eve and all, it’s a time for giving. Since I don’t want to give away my only other prized possession, a basketball signed by Elgin Baylor, I’m making the easy, spiffy guide a gift to the world. Just click on that beaming baby in the sidebar, give me your email address (no Sir Spamalot am I), and it’s yours. Find a typo in there and I will make you a perfect Manhattan the next time you venture to my doorstep. (We can drink them inside, though.)

Don’t Pick These People Up If You See Them Hitchhiking
The other item with which I want to scorch your eyeballs is my novel, All Roads Are Circles, pictured above. I recently released it as an ebook on Amazon. Of course it is the Great American Novel, which is why I set it in Canada in the 1970s. Picture two post—high school best friends on a lunatic hitchhiking trip, picked up by the crazed, the cuckoo and the calamitous. It’s kind of like On the Road meets Huck Finn, but I don’t have those guys’ press agents. Oh, the two leads fall in love with the same gal on their odyssey, and they get a bit testy. And messy.

If you don’t feel you can risk the .99, think of it this way: you can download the free editing guide, use its pointed prescriptives to detect any places in my novel where the plot’s socks get soggy, and we can rewrite the thing together, and with the second edition’s proceeds, I will have enough money to make you another Manhattan. Your call.

PS I will make you three Manhattans (with brandied cherries, not those crappy Maraschinos) if you review the durn thing on Amazon.

Eleventy-Eleven-Eleven: Books by the Half-Dozen

Yeah, you're right—they were a vaudeville act in the 30s

I like to show off my smarty-pants friends now and then, and this occasion brings a half-dozen ways to do it: my estimable colleague, Joel D Canfield, is hosting a book-release party on the eleventh of November in Philadelphia. Joel (who besides making wicked pancakes) dabbles in necromancy and other dark arts, so he has scheduled his publishing party on 11-11-11, a day when normally steadfast digits and the earth itself both tilt on their axes. In order to cause numerologists to scramble to their interpretive books all the quicker, Joel has folded two other units into the numeral batter: 6/6.

Those dancing digits herald a titanic feat: he’s published six books in the last six months! And he rarely sweats! Though, as you might imagine from that kind of output, he does expound.

Four of the works are from the apocalyptic potato cellar of his own imagination, one is an immortal act of co-authorship with the stirring soul of Renaissance Man/poetic social theorist/quasi-historian/tooth-tugger Richard Wilson and one is co-authored with Change Catalyst Shanna Mann. Behold the list:

Through the Fog—An Irish Mystery

The Time is Now 11:59—Heretical Thinking for Tomorrow’s Business (with a foreword by Rick Wilson)

Getting Your Book Out of the “Someday” Box

Hits or Niches: Why Marketing is Boring, Obnoxious, & Annoying, & What You Can Do About It (with Rick Wilson)

Permission Granted: Create Something Remarkable. Start Now.

Why We Lead—Conversations on the Scarcity of Confidence and the Nature of Leadership (with Shanna Mann)

The works are available both in print form and from the aether, from the usual electronic suspects. The publishing party will be held at Cafe Nola, a New–Orleans style venue where the Bananas Foster is said to reign supreme. Along with flaming confectionary dishes, Joel will be attempting to eat full print versions of all the books. It’s unclear if famed hot-dog competitive eating champion Joey Chestnut will be vying for this literary-comestibles crown.

There’s a Facebook page trumpeting the occasion and Joel’s Someday Box page has links to buy these and his other books as well. On the whole, I’d rather be in Philadelphia that day, but I won’t be able to make it. Save me a banana, boys. (On second thought, just save me the cognac.)

Free Your Stories—Put Them in Cages

I futzed away on a tiny short story today for the Esquire Short Short Fiction contest, which honors the magazine’s 78th birthday with a contest for stories of 78 words. Mandated word counts are an interesting exercise: they are both constrained and liberating. Constrained, because if you go 79 words here, you’re out. Also because they force you to examine every branch of your story’s tree, and to see that a careful pruning can open up the air and the light in a tale (as well as a tree).

Word cages are liberating because knowing a story’s boundaries allows you to map it all the more clearly. You chop that subordinate clause there because it droops too heavily with verbiage. You might even have to chop out a subordinate character for the very same reason. (Note: you cannot do this with your relatives.)

Shaping Stories by Word-Slicing
Thus, being told by a child “Tell me a story” can be so much more challenging than “tell me a story with a princess who bets on the horses and ends up becoming a big-wave rider in Hawaii.” Riding the waves is easier when you can see their definition. Also, there is an almost surgical sense of control when it’s evident that you can change a sentence’s flavor just by excising some sagging skin. Even the whisking away of a “that” or an “a” can put more pepper in a phrase.

Which reminds me of the Twain quote: “Substitute ‘damn’ every time you’re inclined to write ‘very’; your editor will delete it and the writing will be just as it should be.”

War AND Peace? Please Choose
Sometimes writing to a theme and a word count is just plain fun. I have a piece coming out in the Nov/Dec issue of Writer’s Digest, for their “Reject a Hit” page. The challenge is to act as though you were the cruel, benighted editor that turned away a literary classic, and you must do such in 300 words. Like for that handicapping, wave-sailing princess, the theme constrains and liberates. Here’s mine:

Mr. Tolstoy: Re: your “War and Peace” query—my God man, one word: editing! Readers today are busy counting the serfs, polishing their mazurkas and dusting their Pushkin collections. They haven’t the stomach to digest a twelve-room dacha of a work. Think a brightly lit (but slight) tea garden of literature for today’s busy readers, or at most an airy drawing room. And let’s be reasonable—War AND Peace? Confine it to one, and save 350 pages.



Now, some specifics: Instead of the original Petersburg setting, it’s best to confine the whole thing in a tiny village, eschewing all those dreary travel scenes. If I had to read again about the boorish behaviors of a panoply of grubby roadside characters, I’ll scream! Keeping it to a village makes it more like a tidy play. In fact, perhaps this WOULD make a fine play—study your Chekov for pointers.

And let’s avoid all that violence and mayhem; we can’t found literary works on sensationalism, you know. And any drinking scenes have to go—that’s a fusty Russian stereotype that could use refreshing. Perhaps all the villains could be low-level clerks? Everyone hates a clerk. 

You do show some promise with character, though must you go on so? No more interminable sighs for the women, or long-winded hortatory oaths from the men; think clean, declarative, adjective-free sentences. It should go without saying that no women should die in childbirth, ugh! And really—including the French, even if the portrait is unflattering, in a popular novel? No. No French.



In summary, the work shows no small promise—but it’s TOO LARGE! Tighten its belt, shave its unshorn soldiers, pare 10 peasants for every one saved, remove all those fluffy word-curtains and showy emotive splashes and you might have something here. In fact, this might make a perfect piece of flash-fiction. Cut it down to 500 words and re-submit.

You can see it how it will be printed in the magazine here. And if you really want to put some tight wraps on your writing, hie on over to Smith Magazine, home of the Six-Word Memoir project. Every day lots of folks work on putting their words on a diet by posting six-word stories. (Dirty trick: use hyphenated compounds and cheat!) The editors even collect some of the entry categories for publication in books. So get cracking, but remember: six words is a story, seven is a stultifying bore.

2012 Guide to Literary Agents Giveaway

Guide to Literary Agents

Ooh, free stuff. Better yet, good free stuff! That good stuff is the 2012 edition of the Guide to Literary Agents, which has comprehensive contact listings of agents and agencies, tells you what they are looking for in regards novels and nonfiction books, and supplies submission tips and writerly suggestions. And one of you glittery souls who merely puts in a comment here will be shipped a free copy of the guide. (Gotta be a U.S. address—sorry!)

Besides all the agency listings, the book has lots of articles on what makes agents happy with your submissions, and what makes them cranky. There’s also a section on writing conferences and screenwriting. This is the book for you even if you can’t decide if your novel is YA or DOA. The guide also includes an updated online subscription to agent listings.

Shameless Plug
What will undoubtedly thrill you down to your very tippy-toesies is knowing that there’s an article of mine in the book. It’s somewhat of a how-to on setting up (and getting something out of) a personal writer’s retreat. That’s a freebie too.

Even if you don’t have a manuscript or book proposal ready for an agent, you might want to swim in the comment stream just to get stimulated. I’ll take all your names and select one at random. I’ll cut off the contest a week from today, and I’ll let the winner know by email.

And to my pals who drop by and comment on a regular basis, no, I’m not going to cheat and choose one of you just because you’re pretty. Grow up. This is legit. (But you still have a chance in the random drawing. And you’re still pretty.)


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