A while back, I wrote The Write Word Easy Editing and Spiffy Style Guide,the charming creature just a bit below and off to your right in the sidebar. Thousands of energetic, elvish electrons rushed out to peddle my modestly priced guide, feverish in their quest to lop off dangling participles (dang them) and comma splices (much worse than comatose spices) and make the world safe for the semicolon.

But this being Christmas Eve and all, it’s a time for giving. Since I don’t want to give away my only other prized possession, a basketball signed by Elgin Baylor, I’m making the easy, spiffy guide a gift to the world. Just click on that beaming baby in the sidebar, give me your email address (no Sir Spamalot am I), and it’s yours. Find a typo in there and I will make you a perfect Manhattan the next time you venture to my doorstep. (We can drink them inside, though.)

Don’t Pick These People Up If You See Them Hitchhiking
The other item with which I want to scorch your eyeballs is my novel, All Roads Are Circles, pictured above. I recently released it as an ebook on Amazon. Of course it is the Great American Novel, which is why I set it in Canada in the 1970s. Picture two post—high school best friends on a lunatic hitchhiking trip, picked up by the crazed, the cuckoo and the calamitous. It’s kind of like On the Road meets Huck Finn, but I don’t have those guys’ press agents. Oh, the two leads fall in love with the same gal on their odyssey, and they get a bit testy. And messy.

If you don’t feel you can risk the .99, think of it this way: you can download the free editing guide, use its pointed prescriptives to detect any places in my novel where the plot’s socks get soggy, and we can rewrite the thing together, and with the second edition’s proceeds, I will have enough money to make you another Manhattan. Your call.

PS I will make you three Manhattans (with brandied cherries, not those crappy Maraschinos) if you review the durn thing on Amazon.

One of my pals from Triiibes, Seth Godin’s fantastically fertile social network, is Bob Poole. Bob is a salesperson with a whole lotta soul, a fine and funny man, and the author of the recommended book, Listen First, Sell Later. His blog, called the Daily Doughnut, gives bite-sized advice and perspectives on selling, but selling from a framework of two-way communication, mutual gain, and being a human being. Imagine that.

Bob gives over the Sunday version of the Daily Doughnut to guests. I hacked into his blog and replaced today’s post from Richard Branson with my own. Check it out: “Galileo and Leonardo da Vinci Walk Into A Bar …”

There's a cruel jester under the cool cap

This looks like a quart of ordinary ice cream. (Ignore the fact that Haagen-Daz and its European provenance is an illusion from the get-go). No, no ice cream this. This is the price of human folly, the crucible that shows the hollow core of the soul, the stuff that dreams are made of. But how can this glop of eggs, cream and sugar be any of that?

The concept comes from the spirit of Magritte, who painted under his famous image of a pipe, “This is not a pipe.” No, this alleged ice cream is a symbol of my boiling frustration over losing control of my situation. That situation is that Alice and I are house-sitting in the Bahamas, on a 3 ½-acre compound that was a former wilderness school. There’s a main house, some cottages, and a number of dorm buildings, just a long fly ball from the shoreline.

It’s the Bahamas, right? Beautiful beaches, lovely people, umbrella drinks at mid-day. Sure, that Bahamas is here. But Alice and I came here to work and play, and work daily, since we aren’t island jet-setters, and can’t afford not to work. But our work is all Internet-based. Gotta be online, all the time. Only the Internet hasn’t worked properly here since Hurricane Irene. It might be on for 10 minutes, off for 3 hours, on for one minute, off for an hour, off for an entire day. Yesterday, I was supposed to be on a Skype call to my main clients. I was knocked offline at least 10 times, and finally knocked off for good that day. Our homeowners didn’t quite elaborate on just how squirrely the connectivity is.

The Gorge Also Rises
We are both so accustomed to the Net just working that when it doesn’t—and doesn’t in an arbitrary way, the gorge rises. My gorge. We’ve both missed some deadlines and there’s no end in sight. The Bahamian Net providers have been here 5 times in 7 days, and are supposed to be here again today. They can’t figure it out. Better yet, they had a big layoff at their office yesterday—the main tech who comes out here was laid off. Zing!

So, we can’t work. But we can scratch. The no-see-ums and mosquitoes here are murderous. Below is a picture of Alice’s thigh from a couple of days ago. When the dogs that we are taking care of here escape the compound (they have multiple devious ways), we must chase them to retrieve them, but we must chase them through a boggy zone where the mosquito is the dominant species. No applications of Off, Skin-So-Soft or rum can deter them. Speaking of rum, I was so frustrated at all this business the other day that I slapped a nice cool drink of pineapple and rum right off my chair into the bushes, followed by a fusillade of curses. Those who know me know that the day I throw good liquor into the bushes is the day The Beast has risen.

You should see the other leg

Get Back to the Ice Cream Already
What this all says to me is that I’m so used to controlling certain things that when that control is wrested from me, my inadequate coping skills don’t provide much backup. And what does this all have to do with a quart of Haagen-Daz? This: I bought this quart of ice cream out of spite. One factor is that I could control the purchase of this ice cream. The spite part is that this ice cream cost me $14.50. Yes, when I heard the price, I just laughed. These are the only bites on the island I’ve truly enjoyed.

Postscript, Minus the Sting
Last night, when I was washing the dishes, I lifted this little platform above the sink that the dish-scrubbers sit on. Underneath was a little scorpion, tail-flag waving in greeting. He didn’t actually alarm me—he was a beautiful little creature. I didn’t have the hysterical reaction I’ve developed when I roam the mosquito-zones around the house, slapping madly at the air, my face and legs. Instead, I got to study my little friend, and then was able to capture him in a wine glass and put him outside. He was a bit angry at that, stabbing his laden tail against sides of the glass. I’m hoping I made him angry enough to go sting a squadron of mosquitoes or two.

PPS By the way, I do realize that I am a large crybaby. But hey, it passes the time.

Digging the local brew at Tippy's, a fine institution of learning and scholarship

They do say travel is broadening. I’ve found it can also be narrowing. I lost 15 pounds in my first six weeks of my year in Micronesia, mostly because we didn’t understand how to shop on our island, with its scattered roadside stands, few stores (none of which resembled the supermarkets my suburban upbringing inured me to), the oddity of some of the local foods (i.e., dog), and gastro-tremblings from the water.

If you know me, my losing 15 pounds meant that I then weighed about as much as a pair of socks. I do have big feet, but still …. But once we adjusted, and learned how to island-shop, there were wonders at the table, mostly from succulent lobster at $2.00 a pound, and yellowfin tuna at fifty cents a pound. (I never inquired about the price of dog.) And when I say “adjusted,” I meant we learned to relax and go with the weirdness of things, and in many quarters, to truly appreciate the weirdness.

That suburban upbringing I alluded to—that was the condition that needed broadening, and broaden it did. Though I might thin out again here: a half-gallon of milk is $6.00, a box of cereal is $7. Maybe I’ll be eating my socks, since I don’t really need them here.

“Here” is the island of Eleuthera, in the Bahamas, where Alice and I are house-sitting for a couple of months. Eleuthera is one of the Bahamas’ “out islands,” meaning it’s not one of the glitzy resort islands, like Nassau. Even though it’s 110 miles long, there are less than 8,000 people here, which is about the number that lived on Kosrae, the Micronesian island where we lived a few years ago.

No, Really, I’ll Be Working
Eleuthera bears some tropical kinship to Kosrae, in that they share warm, azure waters, hot sun, warm, damp air, coral reefs, and that certain languor that seems native to islands. This isn’t a vacation for us: we’re going to be toiling at the keyboard as usual, though more sweatily; however, being able to take a mid-afternoon dip in the nearby shimmering waters will remind us that this world isn’t like our own. It is amazing to be sleeping so close to the sea again, with that big, blue womb’s encyclopedia of sounds—whispering, churning, crashing, slurping, whooshing—rolling over us in the night, since there isn’t any reason to close a window here.

Except for the gigantic insects. And the mosquitoes. And the snake we saw on the walkway yesterday. All those hermit crabs. And those crazy, charming curly-tailed lizards that are everywhere. The profusion of local wildlife also reminds me of Micronesia, detailed in a “travel surprises” piece I wrote for the L.A. Times: surprise, there’s a spider bigger than a spaniel in the living room! (One does adjust: one never goes in the living room again.)

So, my intention is to write a number of travel pieces while I’m here, and soak up some local culture. (That means rum.) I’m going to write some more about the travel-writing process in times to come. In the meantime, I’ll try to see where that beetle dragged off my briefcase…

I futzed away on a tiny short story today for the Esquire Short Short Fiction contest, which honors the magazine’s 78th birthday with a contest for stories of 78 words. Mandated word counts are an interesting exercise: they are both constrained and liberating. Constrained, because if you go 79 words here, you’re out. Also because they force you to examine every branch of your story’s tree, and to see that a careful pruning can open up the air and the light in a tale (as well as a tree).

Word cages are liberating because knowing a story’s boundaries allows you to map it all the more clearly. You chop that subordinate clause there because it droops too heavily with verbiage. You might even have to chop out a subordinate character for the very same reason. (Note: you cannot do this with your relatives.)

Shaping Stories by Word-Slicing
Thus, being told by a child “Tell me a story” can be so much more challenging than “tell me a story with a princess who bets on the horses and ends up becoming a big-wave rider in Hawaii.” Riding the waves is easier when you can see their definition. Also, there is an almost surgical sense of control when it’s evident that you can change a sentence’s flavor just by excising some sagging skin. Even the whisking away of a “that” or an “a” can put more pepper in a phrase.

Which reminds me of the Twain quote: “Substitute ‘damn’ every time you’re inclined to write ‘very’; your editor will delete it and the writing will be just as it should be.”

War AND Peace? Please Choose
Sometimes writing to a theme and a word count is just plain fun. I have a piece coming out in the Nov/Dec issue of Writer’s Digest, for their “Reject a Hit” page. The challenge is to act as though you were the cruel, benighted editor that turned away a literary classic, and you must do such in 300 words. Like for that handicapping, wave-sailing princess, the theme constrains and liberates. Here’s mine:

Mr. Tolstoy: Re: your “War and Peace” query—my God man, one word: editing! Readers today are busy counting the serfs, polishing their mazurkas and dusting their Pushkin collections. They haven’t the stomach to digest a twelve-room dacha of a work. Think a brightly lit (but slight) tea garden of literature for today’s busy readers, or at most an airy drawing room. And let’s be reasonable—War AND Peace? Confine it to one, and save 350 pages.



In summary, the work shows no small promise—but it’s TOO LARGE! Tighten its belt, shave its unshorn soldiers, pare 10 peasants for every one saved, remove all those fluffy word-curtains and showy emotive splashes and you might have something here. In fact, this might make a perfect piece of flash-fiction. Cut it down to 500 words and re-submit.

You can see it how it will be printed in the magazine here. And if you really want to put some tight wraps on your writing, hie on over to Smith Magazine, home of the Six-Word Memoir project. Every day lots of folks work on putting their words on a diet by posting six-word stories. (Dirty trick: use hyphenated compounds and cheat!) The editors even collect some of the entry categories for publication in books. So get cracking, but remember: six words is a story, seven is a stultifying bore.