Putting Your Pen in the Contest Ring: Writers Saying, “Why Not?”

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There’s a lot to be said for saying “no.” As hard as it can be to put up the stop sign, “no” can save you from taking on projects for which you are ill-suited, going to events that don’t enlarge your life, or drinking that fourth Brandy Alexander when you know that Alexander himself stops at two.

The writing life can be a harried one, particularly if you have a day job, and the only time you have to plot out your nine-book saga on intergalactic love between a sentient vaping pen and a 19-legged Venusian dog is your lunch hour (and for the 30 minutes after dinner before you do the dishes).

But there are some writing opportunities for which saying “Why not?” can deliver an unusual sense of gratification, and sometimes some exotic rewards. I’m talking about writing contests. I’ve written about contests before, but because I’ve had some recent success with a few, I want to write about them again. Getting recognition from a contest—no matter if you are the first-place winner or receive an honorable mention—can give give you some sweet cream of satisfaction. That juice is qualitatively different from that gained from crafting a zingy sentence for your last chapter, or having your beta readers say that your Venusian dog puts them in mind of Cary Grant in his prime.

Contests Give You Warm Gravy
Here’s the kind of thing that placing well in a writing contest can do for you:

  • Validation – Most contests are judged by credible writers. Them saying you are a hot tamale can do wonders for the tender egos of most writers.
  • Exposure – Many publications publish the winning works, and sometimes they have a big print circulation and/or online traffic, so your work can get attention. Publication at many contest venues will include links to your site or other work.
  • Swag – I’ve won all kinds of things from writing contests, including poker chips (nice ones), licorice, and luggage tags. Oh, and money. Sometimes a pretty good chunk. Or the equivalent of money. For instance, last month I was at the Catamaran Writer’s Conference in pretty Pebble Beach, which offered me four days of good writerly cheer and good advice on a work in progress of mine. I won a $750 fellowship to the conference by submitting a short story I’d written a while ago. I didn’t think I’d win anything, but I already had the story: why not?

Have Pen, Will Travel
MarketingProfs had this essay contest going last month, and I won a first-runner-up award, which lets me get into all the conference sessions free and gives me some other goodies, to the tune of $1,800. I don’t know if I can make it out there, because flights and lodging are expensive (and the evil first-place winner took those). But writing a 500-word essay—easy. What was my essay about? How pizza is actually marketing. Yes, being a goofball can pay.

And my latest serving of confectionery, a roundabout way of “winning” a contest: a couple of years ago I entered an unsold travel piece I had languishing on my computer to Dave’s Travel Corner, a popular travel site. I won second place in that contest, which awarded a hundred bucks, some travel books and some other oddities. But it won me some attention from Dave, who later invited me to be a writer for his site for some press trips, one though the Florida Keys and one at a luxury hotel in Vegas.

These trips are all-expenses paid, where the writers get treated to all kinds of amazing scenic/historic/crazy venues, gobble foods at places most couldn’t afford to gobble, and be out and about, goggled-eyed, in this wondrous country of ours. Or in other countries: the latest one I was invited on leaves late this coming Thursday for 9 days in Myanmar. Myanmar! That ain’t the Long Beach, CA suburb I was raised in.

Contesting the Contests
Yes, writing contests often have entry fees, but they often are reasonable: $10–$15 dollars that might win you $500-$1,000, plus some of the perks mentioned above. And you might find contests for which you already have the story or essay written, but never found a home for it. I won $1,000 for paying $15 to enter a National Steinbeck Center fiction contest a long ways back, for a story I’d written in college. I didn’t think I had a prayer to win that contest, but I said “why not?” and entered. That was a good feeling.

Subscribe to Hope Clark’s free (or paid, for more entry opps) newsletter that has lots of good contests. So does Moira’s Allen’s Writing World newsletter. And Poets and Writers magazine has a searchable list of writing contests that you can filter for fees and genres.

Say “why not” to contests. Why not? And if you happen to be in Mandalay in the coming two weeks, let me know.

Warm Applause for Writers Who Give Generously

'Writing Home In Calling Lake Alberta' photo (c) 2011, Mennonite Church USA Archives - license: http://www.flickr.com/commons/usage/

I spend entirely too much time reading about writing and reading about writers rather than writing myself, but when I am reading, I want to be provoked, challenged, stimulated and amused. Over the course of 2013, many writers I read have done these things, and some of them consistently do them all. Here’s a list of writers who through their blogs, podcasts, newsletters and ululating cries from the tops of (non-ivory) towers give generously of their time and talents to the benefit of other writers (and readers of every stripe, of course). To all of you, a hearty thanks!

Carol Tice is a long-time freelancer and author who is the brains behind the great Make a Living Writing blog. She founded the equally great Freelance Writers Den, which is a rich resource for support and education for all levels of freelancers. She knows her stuff—and is willing to share.

Linda Formichelli is the head renegade at the Renegade Writer blog, and one of the helpful “Den Mothers” at the Freelance Writers Den mentioned above. She sends out to her email list daily (and juicy) “Morning Motivations for Writers.” She recently published Write Your Way Out of the Rat Race … and Step Into a Career You Love, which I recommend to those weary of rat-racing.

Ed Gandia is an exemplary freelance copywriter, author, speaker and coach—and a great guy (at least from seeing, reading, and hearing him online). His The High-Income Business Writing podcast hosts informative writers talking on practical freelancing topics. He’s the co-author of the bestselling and award-winning book The Wealthy Freelancer, as well as the founder of the International Freelancers Academy.

Peter Bowerman is another great writer, strong writer’s counselor, and also a great guy, one whom I’ve had the pleasure to meet in person. His The Well-Fed Writer and The Well-Fed Self-Publisher are essential books on the freelancing life. Check out his Well-Fed Writer blog.

Joanna Penn is one of the standout voices in the maelstrom that is the publishing world. She provides an always perceptive take on what’s what in publishing, and how to take the reins of your writing career in firm hand. Get her fine counsel at The Creative Penn and check out her novels and nonfiction too.

Jon Morrow is the agent provocateur who regularly kicks writer’s butts with his posts on not just thinking or talking about writing but actually taking risks and getting real writing work done. He was the associate editor of Copyblogger (a marketing/copywriting site I can’t recommend enough), and now throws lightning bolts from his site at Boost Blog Traffic.

Jonathan Fields is a guy who almost seems like a data-delighted high priest of writing, and you’ll often see on his blog a winning blend of logic, science and especially the human touch to plumb and understand the depths of communication. His Good Life Project is a probing, reflective series of interviews with people who have struggled in their work and personal lives and gained great (and instructive) ground in understanding and elaborating on the human condition through work and play. And how to live richly and well within that humanness. Fields is a fine author as well.

Hope Clark has long sent out a writing newsletter that’s been chockablock filled with writing tips, grants and other publishing opportunities for writers. I’ve subscribed for years, and am always delighted, particularly with her thoughtful editorials. She’s also a mystery novelist of some acclaim.

Chris Brogan is an author, entrepreneur, and genial gadabout who runs Human Business Works and other ventures to help other entrepreneurs and businesses make their fully realized and authentic way in the world. His weekly newsletter supplies great motivational tools—and he will answer every reply.

Porter Anderson is one smart cookie, who writes with insight and wry wonder at the crazy minefield of the publishing industry. He blogs seemingly all over the durn place, but prominently at Publishing Perspectives, Jane Friedman’s (see below) site and (see below again, if you dare) Writer Unboxed.

Jane Friedman’s site, magazine and general work examine with an analytical but empathetic eye the windings of many writing roads, from individual authorship to self- and traditional publishing to diverse matters of writing craft and business. She is on top of the latest developments—and offers clear interpretations from that peak.

Writer Unboxed is not a single writer, but a site that hosts daily posts on issues of writing craft, writing business and the vagaries of the writing life. The posters run the range from aspiring writers to authors with decades of experience and decades of publishing success. And the spirit of the site is open, generous and deep. (And they’ve even let me post a few times, despite my hairdo.)

And I wasn’t going to include any of my personal friends in this list because I don’t want you to think I can be bought off (I can, but send fifties), but I’m compelled to salute Joel Canfield, who counsels authors looking to self-publish at his Someday Box site, guiding them from the starting of sentences to the polishings for print (and wiggling electrons too). He’s a mighty nice fellow as well.

Thanks to all these writing stalwarts, and great success to all in 2014!

Writing Contests: Yea, Nay, or Meh?

 

 

Steinbeck award copy

No, I didn’t get a pawnbroker to re-etch my name over the real winner’s

It’s great to get published. I’ve had the good fortune to be published in lots of magazines and newspapers, and I’m grateful for the editors who have given me the opportunity, particularly when I first started out, and had nary a clip to my name. But there’s a special—and sometimes odd—kick that comes from doing well in a writing contest.

There’s some ego investment there for sure. But I think the ego vector comes less from “Wow, did I kick Shakespeare’s old booty all over the place in that haiku contest!” than Sally Field’s famous, “… this time I feel it—and I can’t deny the fact that you like me, right now, you like me!”

Writers can be inward sorts, languishing a league or two below the surface in their writing caves, so validation of any sort is manna precious.

The reason I bring up writing contests right now is that I recently won second place in a travel-writing contest over at Dave’s Travel Corner. Dave had solicited contest prizes from some of his travel industry connections, so in addition to $100 cash, I received two travel books, a certificate for a private tasting for six ($180 value) at a fancy-schmancy Napa winery, a Vegas.com promotional kit (my article is set in Vegas) that included a deck of cards, nice poker chips, coasters and more, and last but not least chewy: two big packs of licorice vines. Now them’s some winnin’s.

Paying to Play

Dave had the generous spirit not to charge for entry into his contest, but many contests do require entry fees. I’ve seen novel writing contests where the fees went upward of $125, but of course, reviewing novels for contest entries could take up a great deal of reading time. Many contests I’ve entered were free, but a good number of them required entry fees between $10 and $25. Some years I’ve probably spent between $100 for contests, others maybe half that much. But I’ve had fair luck with my entries.

Right now I’m enjoying the tail end of a free year of Carol Tice’s Freelance Writing Den (normally $25 a month), and have found the Den a deep well of excellent writing resources, as well as a congenial place for writers to congregate. I won that free year just by writing—no fee—a blog post. Here’s my doffed cap to Carol and Linda Formichelli for choosing me.

I’ve won tickets to a Broadway play; admission, lodging and meals at a good writer’s conference; a few cash prizes of $100 or more, and long ago, that lovely glass plaque that adorns this post. That plaque is one of my prized possessions: being named on anything with John Steinbeck’s name is good gravy. The fact that it came with $1,000 cash and that Leon Panetta presented it to me (in lieu of an ill Thomas Steinbeck, John’s son) made that gravy all the warmer.

Contests (With Caveats), Si!

So, to answer the question that this post poses: I have to say Yea! Contests can give you good exposure. They can also stretch your writing: you will often be given a theme or a prompt to follow, and it can be a helpful challenge to push your words into places they wouldn’t go otherwise. And sometimes you might be able to enter an article or a story with a piece that you’d written some time ago and hadn’t found a home for. Don’t forget that Sally Field thrill. Not to mention, there’s the potential for licorice.

Make sure the contest is credible, make sure to follow the contest guidelines to the letter, and of course, don’t spend money that you can’t afford. (I’ve lost WAY more contests than I’ve won.) I was going to list a lot of writing contest resources, but the smart fellow at The Competitive Writer has already done that.

He provides links to writing contest advice and resources, like Hope Clark’s great Funds for Writers newsletter and Moira Allen’s Writing World, two newsletters I always look forward to receiving. He also lists contest databases, care of fine publications like Poets and Writers. One other source not on his list is the yearly Writer’s Market, which can be obtained in print or online or both. That publication has a Contests and Awards section that lists contest specs, fees, deadlines and prizes.

Oh, but don’t enter any of the ones I intend to. I’m sensitive, you know.