Book Launching (Saggy Springs or Not)

Wait, is there a string attached? Photo by whiterussian on morgueFile

Wait, is there a string attached? Photo by whiterussian on MorgueFile


I’ve been bustling around (can’t you hear it?) this past week, trying to get my “how to find your writing voice” book together for publication next week, and it does make me wonder if most self-pub book launches—though mine might be more of a wayward toss—are as scattered and haphazard for other writers.

For instance, I’ve yet to fix my title, in my mind or on the page. It’s gone through a paddlewheel of possibilities, but my mind’s oar has cracked its handle here toward the end. Right now, it’s “Think Like a Writer: How to Write the Stories You See.” That’s all fine and good, and does capture some essentials of the book. But like any wavering candle, I’m subject to title-insecurity winds.

No, Can’t Be—ANOTHER Typo?
And my goodness, I’m a professional editor, and have the gall to charge people for things like proofreading. And yet, even though I’ve proofed this dang thing on the screen, proofed it in hard copy, and proofed sections on the screen again (I’m trying to sound Churchillian here: “we will fight them on the beaches …”) I’m STILL finding some typos and glitches. Gack!

There are umpty-trillion and one things you’re “supposed” to do to get ready for a book launch, but there’s not enough coffee in Kona for me to do them all (or even do most well). What I’ve done is:

  • sent out advanced copies to readers willing (I hope) to write a review
  • written sales copy for the Kindle description page
  • set up some guest posts on some relevant writing sites (which will appear after publication)
  • asked for a few blurbs from some writerly darlings I know (or know at least well enough to ask)
  • designed a landing page that still needs some guiding lights
  • and prepared cocktails on Fri/Sat/Sun eves for weeks on end

Oh wait, I always do the cocktail thing. But why break a good rhythm?

The Truth (and Good Help) Is Out There
There’s a bunch of other minor things I’m doing (eating more toast), and a number of things I’ll do post launch (eat less toast), but I won’t list them here now. What I do want to list is a few of the writers and their sites that I think give good guidance on book marketing and book launches.

Tim Grahl has a series of great (free) book launch posts and marketing lessons (like setting up an effective mailing list). And check out his good Your First 1000 Copies: The Step-by-Step Guide to Marketing Your Book

Joanna Penn always has great publishing industry/book marketing/book launching advice (in text, podcasts and video), much of it free.

Check out Sean Platt, Johnny Truant’s and David Wright’s Self-Publishing Podcast for info on how they’ve pretty much created a self-publishing empire, from tech tools to marketing to the ethos behind it all.

Naomi Dunford’s Itty Biz has all kind of juicy bits about marketing and product launching, and she’s quite funny too.

And my old pal, Joel D Canfield, has been there whenever I’ve asked some puzzler on publishing.

So, thanks to those folks for doing me solids. I’m rounding the corner on this launch stuff, and glad of it. I will probably continue with the cocktails though.

By the way, lately I’ve been making a real beauty: the Vieux Carré, an old New Orleans song of spirits that’s heady and just durn good. Note, this recipe shows it over rocks, but it’s great up as well, shaken or stirred. Maybe it will head the list at the book-launching party. Cheers!

Warm Applause for Writers Who Give Generously

'Writing Home In Calling Lake Alberta' photo (c) 2011, Mennonite Church USA Archives - license: http://www.flickr.com/commons/usage/

I spend entirely too much time reading about writing and reading about writers rather than writing myself, but when I am reading, I want to be provoked, challenged, stimulated and amused. Over the course of 2013, many writers I read have done these things, and some of them consistently do them all. Here’s a list of writers who through their blogs, podcasts, newsletters and ululating cries from the tops of (non-ivory) towers give generously of their time and talents to the benefit of other writers (and readers of every stripe, of course). To all of you, a hearty thanks!

Carol Tice is a long-time freelancer and author who is the brains behind the great Make a Living Writing blog. She founded the equally great Freelance Writers Den, which is a rich resource for support and education for all levels of freelancers. She knows her stuff—and is willing to share.

Linda Formichelli is the head renegade at the Renegade Writer blog, and one of the helpful “Den Mothers” at the Freelance Writers Den mentioned above. She sends out to her email list daily (and juicy) “Morning Motivations for Writers.” She recently published Write Your Way Out of the Rat Race … and Step Into a Career You Love, which I recommend to those weary of rat-racing.

Ed Gandia is an exemplary freelance copywriter, author, speaker and coach—and a great guy (at least from seeing, reading, and hearing him online). His The High-Income Business Writing podcast hosts informative writers talking on practical freelancing topics. He’s the co-author of the bestselling and award-winning book The Wealthy Freelancer, as well as the founder of the International Freelancers Academy.

Peter Bowerman is another great writer, strong writer’s counselor, and also a great guy, one whom I’ve had the pleasure to meet in person. His The Well-Fed Writer and The Well-Fed Self-Publisher are essential books on the freelancing life. Check out his Well-Fed Writer blog.

Joanna Penn is one of the standout voices in the maelstrom that is the publishing world. She provides an always perceptive take on what’s what in publishing, and how to take the reins of your writing career in firm hand. Get her fine counsel at The Creative Penn and check out her novels and nonfiction too.

Jon Morrow is the agent provocateur who regularly kicks writer’s butts with his posts on not just thinking or talking about writing but actually taking risks and getting real writing work done. He was the associate editor of Copyblogger (a marketing/copywriting site I can’t recommend enough), and now throws lightning bolts from his site at Boost Blog Traffic.

Jonathan Fields is a guy who almost seems like a data-delighted high priest of writing, and you’ll often see on his blog a winning blend of logic, science and especially the human touch to plumb and understand the depths of communication. His Good Life Project is a probing, reflective series of interviews with people who have struggled in their work and personal lives and gained great (and instructive) ground in understanding and elaborating on the human condition through work and play. And how to live richly and well within that humanness. Fields is a fine author as well.

Hope Clark has long sent out a writing newsletter that’s been chockablock filled with writing tips, grants and other publishing opportunities for writers. I’ve subscribed for years, and am always delighted, particularly with her thoughtful editorials. She’s also a mystery novelist of some acclaim.

Chris Brogan is an author, entrepreneur, and genial gadabout who runs Human Business Works and other ventures to help other entrepreneurs and businesses make their fully realized and authentic way in the world. His weekly newsletter supplies great motivational tools—and he will answer every reply.

Porter Anderson is one smart cookie, who writes with insight and wry wonder at the crazy minefield of the publishing industry. He blogs seemingly all over the durn place, but prominently at Publishing Perspectives, Jane Friedman’s (see below) site and (see below again, if you dare) Writer Unboxed.

Jane Friedman’s site, magazine and general work examine with an analytical but empathetic eye the windings of many writing roads, from individual authorship to self- and traditional publishing to diverse matters of writing craft and business. She is on top of the latest developments—and offers clear interpretations from that peak.

Writer Unboxed is not a single writer, but a site that hosts daily posts on issues of writing craft, writing business and the vagaries of the writing life. The posters run the range from aspiring writers to authors with decades of experience and decades of publishing success. And the spirit of the site is open, generous and deep. (And they’ve even let me post a few times, despite my hairdo.)

And I wasn’t going to include any of my personal friends in this list because I don’t want you to think I can be bought off (I can, but send fifties), but I’m compelled to salute Joel Canfield, who counsels authors looking to self-publish at his Someday Box site, guiding them from the starting of sentences to the polishings for print (and wiggling electrons too). He’s a mighty nice fellow as well.

Thanks to all these writing stalwarts, and great success to all in 2014!

To Thine Own Self (Publishing) Be True

Leaded type

I finished a novel in late 2012. Titled Aftershock, it’s based in San Francisco, and the 1989 earthquake plays a central part in throwing—almost literally—some disparate lives together. Nobody’s particularly comfortable in the book, but that’s the prerogative of the author—we get to torture our characters, so that we can be better people ourselves. Or not.

But I don’t want to talk about my psychological problems. (Unless you swing by with a bottle of Pappy Van Winkle’s bourbon—I have ice on ice waiting for you.) I do want to briefly talk about publishing. Briefly, because talking about the changes in publishing is an industry in itself these days, and my adding to the din won’t land me any Oprah-time.

Bleary Queries

To this point, I’ve sent queries about my novel to 22 agents. Despite the publishing heavens being torn by demons, agents remain the middle defenders for those writers hungering for the traditional publishing route, with its still-credible distribution structure, now-flagging marketing support, and tarnished-yet-dimly-shiny “Look mom, some NY bigwigs bought my book” cachet.

Depending on the agent guidelines, those queries have included a couple of full manuscripts, a lot of 10-50 page excerpts, or just a synopsis and a prayer. So far, I’ve received 12 rejections; some of the queries are a few months’ old without response, so I’ll probably follow up on the best of those.

But the winds of change have blown their clichéd gusts through publishing’s doors, and floors. Self-publishing no longer has the “I wrote seven poems about grandma’s feet, and had them printed with a velvet cover” taint. I self-published my first novel, had a book of short stories published by a small press after that, and should no agent show real interest in my newest work in the next few months, I’ll go the self-abuse route once more. (I did always love the punchline for the you’ll-go-blind masturbation joke, “Hey, can I just do it long enough so I only have to wear glasses?”)

Resources: Self-pub Grub

I’ve been reading a good deal about the publishing industry and its earthquakes in the last year or so. Here are a few good books that have solid info on the publishing world, self-publishing and how to market your work:

APE: Author, Publisher, Entrepreneur

The Essential Guide to Getting Your Book Published

Create Your Writer Platform

Sites with Insights

And here are some sites I read regularly that provide great resources and insights into the roiling new world of publishing.

Jane Friedman
The Creative Penn
Digital Book World

And if I do self-publish, this time I’ll have my book edited by some professional other than myself. Woe befalls the writer, even if they are professional editors, who edit their own work. That self-abuse could take the sight from any writer’s eyes, and I already wear glasses, so I know better now.