Book Launching (Saggy Springs or Not)

Wait, is there a string attached? Photo by whiterussian on morgueFile

Wait, is there a string attached? Photo by whiterussian on MorgueFile


I’ve been bustling around (can’t you hear it?) this past week, trying to get my “how to find your writing voice” book together for publication next week, and it does make me wonder if most self-pub book launches—though mine might be more of a wayward toss—are as scattered and haphazard for other writers.

For instance, I’ve yet to fix my title, in my mind or on the page. It’s gone through a paddlewheel of possibilities, but my mind’s oar has cracked its handle here toward the end. Right now, it’s “Think Like a Writer: How to Write the Stories You See.” That’s all fine and good, and does capture some essentials of the book. But like any wavering candle, I’m subject to title-insecurity winds.

No, Can’t Be—ANOTHER Typo?
And my goodness, I’m a professional editor, and have the gall to charge people for things like proofreading. And yet, even though I’ve proofed this dang thing on the screen, proofed it in hard copy, and proofed sections on the screen again (I’m trying to sound Churchillian here: “we will fight them on the beaches …”) I’m STILL finding some typos and glitches. Gack!

There are umpty-trillion and one things you’re “supposed” to do to get ready for a book launch, but there’s not enough coffee in Kona for me to do them all (or even do most well). What I’ve done is:

  • sent out advanced copies to readers willing (I hope) to write a review
  • written sales copy for the Kindle description page
  • set up some guest posts on some relevant writing sites (which will appear after publication)
  • asked for a few blurbs from some writerly darlings I know (or know at least well enough to ask)
  • designed a landing page that still needs some guiding lights
  • and prepared cocktails on Fri/Sat/Sun eves for weeks on end

Oh wait, I always do the cocktail thing. But why break a good rhythm?

The Truth (and Good Help) Is Out There
There’s a bunch of other minor things I’m doing (eating more toast), and a number of things I’ll do post launch (eat less toast), but I won’t list them here now. What I do want to list is a few of the writers and their sites that I think give good guidance on book marketing and book launches.

Tim Grahl has a series of great (free) book launch posts and marketing lessons (like setting up an effective mailing list). And check out his good Your First 1000 Copies: The Step-by-Step Guide to Marketing Your Book

Joanna Penn always has great publishing industry/book marketing/book launching advice (in text, podcasts and video), much of it free.

Check out Sean Platt, Johnny Truant’s and David Wright’s Self-Publishing Podcast for info on how they’ve pretty much created a self-publishing empire, from tech tools to marketing to the ethos behind it all.

Naomi Dunford’s Itty Biz has all kind of juicy bits about marketing and product launching, and she’s quite funny too.

And my old pal, Joel D Canfield, has been there whenever I’ve asked some puzzler on publishing.

So, thanks to those folks for doing me solids. I’m rounding the corner on this launch stuff, and glad of it. I will probably continue with the cocktails though.

By the way, lately I’ve been making a real beauty: the Vieux Carré, an old New Orleans song of spirits that’s heady and just durn good. Note, this recipe shows it over rocks, but it’s great up as well, shaken or stirred. Maybe it will head the list at the book-launching party. Cheers!

Calling My Bookies

WritersEyes small

Good souls: I’ve been working on the contents of the book pictured above for a while, and am finishing up the final edits. I’m going to self-publish it on Amazon in mid-to-late May. The book is about how to see the world as a writer and how to take that vision to the page. It has chapters on how to cultivate your writing voice, working in various writing genres, and looking at how writing works at the word, sentence (and even punctuation) level. (Oh, there’s funny stuff in there too—I couldn’t help it.)

There are also chapters on getting the writing blues (and how to paint them a different color), how to cope with writing distractions, and a resource section directing you to who and what I think are the brightest eyes in the writing world right now, from idea sparking to freelance contracting to self publishing. Writer’s Eyes will end up around 56,000 words. Many of them are juicy.

Get Your Hot Hands on the Pulsing Pages
If you’d like to get an advance digital copy of the book, write to me at bentguy@charter.net and specify whether you’d like a PDF, .ePub (Nook/iBooks) or .mobi (Kindle) version. What I ask is that you consider writing a review of the book and posting it on Amazon on the day I launch the book. Having a substantive number of reviews on launch day can be a big boost for a book’s early momentum, which can be a boost for its later momentum. (Right now there are multiple spots in the book that say “PHOTO?”—I’m still debating if I’m going to insert images.)

Of course you can say in your review you were given an advance copy of the book, and of course you can also say in your review something along the lines of what Dorothy Parker (who as a critic dubbed herself the Constant Reader) said on the use of “hummy” for “honey” in A.A. Milne’s The House at Pooh Corner:

“It is that word ‘hummy,’ my darlings, that marks the first place in The House at Pooh Corner at which Tonstant Weader fwowed up.”

I always caution my readers to have a hankie at hand, should they frow up.

Let me know if you’d like to see the book; I’ll remind you when the day draws nigh when I’m going to launch this puppy on Amazon.

To Thine Own Self (Publishing) Be True

Leaded type

I finished a novel in late 2012. Titled Aftershock, it’s based in San Francisco, and the 1989 earthquake plays a central part in throwing—almost literally—some disparate lives together. Nobody’s particularly comfortable in the book, but that’s the prerogative of the author—we get to torture our characters, so that we can be better people ourselves. Or not.

But I don’t want to talk about my psychological problems. (Unless you swing by with a bottle of Pappy Van Winkle’s bourbon—I have ice on ice waiting for you.) I do want to briefly talk about publishing. Briefly, because talking about the changes in publishing is an industry in itself these days, and my adding to the din won’t land me any Oprah-time.

Bleary Queries

To this point, I’ve sent queries about my novel to 22 agents. Despite the publishing heavens being torn by demons, agents remain the middle defenders for those writers hungering for the traditional publishing route, with its still-credible distribution structure, now-flagging marketing support, and tarnished-yet-dimly-shiny “Look mom, some NY bigwigs bought my book” cachet.

Depending on the agent guidelines, those queries have included a couple of full manuscripts, a lot of 10-50 page excerpts, or just a synopsis and a prayer. So far, I’ve received 12 rejections; some of the queries are a few months’ old without response, so I’ll probably follow up on the best of those.

But the winds of change have blown their clichéd gusts through publishing’s doors, and floors. Self-publishing no longer has the “I wrote seven poems about grandma’s feet, and had them printed with a velvet cover” taint. I self-published my first novel, had a book of short stories published by a small press after that, and should no agent show real interest in my newest work in the next few months, I’ll go the self-abuse route once more. (I did always love the punchline for the you’ll-go-blind masturbation joke, “Hey, can I just do it long enough so I only have to wear glasses?”)

Resources: Self-pub Grub

I’ve been reading a good deal about the publishing industry and its earthquakes in the last year or so. Here are a few good books that have solid info on the publishing world, self-publishing and how to market your work:

APE: Author, Publisher, Entrepreneur

The Essential Guide to Getting Your Book Published

Create Your Writer Platform

Sites with Insights

And here are some sites I read regularly that provide great resources and insights into the roiling new world of publishing.

Jane Friedman
The Creative Penn
Digital Book World

And if I do self-publish, this time I’ll have my book edited by some professional other than myself. Woe befalls the writer, even if they are professional editors, who edit their own work. That self-abuse could take the sight from any writer’s eyes, and I already wear glasses, so I know better now.