Writers’ funks are funny: sometimes it’s a single botched sentence that can send them into a tizzy. Or maybe reading about the success of something like 50 Shades of Grey turns them 50 Shades of Green. My own writer’s funk is restlessness. I do OK as a freelancer, both in writing for businesses and getting my stuff into magazines and other publications. I’m a long ways from writing for content mills or leaving a bleeding kidney on the doorstep of an editor that ignored my query. I’m two-thirds of the way through a second novel, and I know I won’t abandon it to die hungry in a cave.
But my attentions are scattered, and my discipline needs disciplining. I’ve been in the muse stew lately, paddling about the chunks of “why spend time writing that?” and “aren’t you just repeating yourself?” and “yeah, but you have to make a living, right?” A lot of the stewing has to do with thinking I’ve been writing at the same level for a while. I’ve become a bit too comfortable with both my professional and my personal writing—though god knows they’re still six stars short of stellar.
You see, I fear I’m the proprietor of Ye Olde Writer’s Junque Shoppe, where you can find a case-study plate with a little bit of food still stuck on it, another coffee-stained press release, a short story wearing worn shorts. I’m hungry for a challenge to my complacency.
Get Your Red-Hot Writing Wisdom (And There Might Be Cookies Too)
That’s why I’d be thrilled to win a free year of Carol Tice’s Freelance Writer’s Den. Carol is the den mother (along with the formidable Linda Formichelli), and the big brains behind the Make a Living Writing blog, which I’ve read for a long while. The level of practical writing (and writing-career) advice on the blog is consistently high—imagine what it might be in the close confines of the Den, where there are in-depth discussions on the nuts and bolts of writing for a living, and writing as an art. And besides the year in the Den, there are more perks galore to the winning writer.
The Den gives you access to webinars with guests like Peter Bowerman, Sean Platt and Chris Brogan. You learn juicy stuff like how to negotiate with clients, setting rates, knowing your audience, dealing with billing, and scads more. At least I hear you learn all those things, because I’m on the outside, looking in. But I know a big part of being a Den member is the electric exchange of ideas with fellow writers, who understand the struggles of freelancing. And who would likely prod someone suffering from Midlife Writer’s Crisis with a swift and deserved keyboard kick. Or an electronic hanky, if need be.
So, admission to the Den wouldn’t be a retreat, but an expedition to new writing territories, a Lewis and Clark unfolding of a new writing map.
Besides, I suspect there are chocolate chip cookies there too, and I’m hungry.